Redefining Intimacy and Empowerment Through Musical Expression: An Analysis of “Kanté” by Davido ft. Fave

Mxq
3 min readAug 11, 2023

The convergence of music and culture is a testament to the power of artistic expression in reflecting societal norms, pushing boundaries, and igniting conversations. In the evocative track “Kanté,” jointly crafted by Davido and Fave, these elements meld seamlessly to establish a new paradigm of boldness and empowerment in the realm of modern Nigerian music. As we delve into the lyrical tapestry of “Kanté,” we witness a lyrical journey that challenges conventions, celebrates agency, and transforms intimate narratives.

From its opening notes, “Kanté” envelops its listeners in a sonorous embrace that belies its deeper lyrical complexity. Fave’s unapologetic declaration:

“Hey, the way you hold my waist, I like as e dey go”

is a resounding proclamation of desire and autonomy. The use of Nigerian Pidgin English lends an air of authenticity to the lyrics, effectively connecting the song with its cultural roots and engaging a wider audience.

Fave’s assertion of enjoying the touch of her partner’s hands around her waist — traditionally an intimate gesture — embodies the revolutionary undercurrent that permeates the song.

“Can’t dance to save myself but see as I dey roll”

highlights the audaciousness of self-expression, even in the face of perceived shortcomings. This nuanced self-assuredness challenges established norms, as Fave, in her boldness, moves contrary to the stereotype that women must adhere to predefined dance forms or remain passive in such contexts.

Moreover, Fave’s candidness extends to her assertion of engaging in “guilty pleasures”

The line:

“Disconnect the internet, ’cause I’m feeling intellectual”

speaks to a modern irony, where the notion of being “intellectual” is juxtaposed with indulging in private and perhaps unconventional pleasures. This lyric underscores the multidimensional nature of individuals, dispelling the expectation that intellect and leisure are mutually exclusive.

The song intriguingly compares Fave’s movements to N’Golo Kanté, a renowned footballer. This reference not only acknowledges Kanté’s exceptional skill but also metaphorically conveys Fave’s confidence in her own abilities to change the course of events. This assertion of control and agency is a departure from the conventional depiction of women as passive recipients of attention.

The chorus

“Hold my waist, hold my waist, hold my waist”

reframes intimate connection as a mutual choice rather than a one-sided endeavor. The repetition amplifies the message, centering on the act itself as both an invitation and an act of empowerment.

The lines:

“I like as e dey go, baby, I like as e dey go, ay”

underscore the unabashed enjoyment of mutual affection, rejecting the need to veil or downplay one’s desires.

Davido’s contribution further enriches the song, exemplifying the intertwining of male and female perspectives. His lyrics, “Make your body come gum my body, make I cool my tension,” denote a shared sentiment of longing and vulnerability. The line

“You dey put me for high tension, omo, this one na my confession, omo”

reinforces the idea that expressions of desire and vulnerability are not confined to a single gender.

In the age of evolving gender dynamics, “Kanté” emerges as an anthem that celebrates the rewriting of romantic narratives. The song challenges the stereotypes that confine women to passive roles, inviting them to embrace their desires and assert their agency. By juxtaposing empowerment with expressions of vulnerability and desire, the song echoes the complexities of modern relationships. Its powerful lyrical narrative and infectious melodies spark discussions about gender roles, autonomy, and societal norms.

In conclusion, I believe “Kanté” transcends musical boundaries to establish a dynamic dialogue on empowerment, desire, and self-expression. Through its bold lyrics and charismatic melodies, the song not only redefines the traditional romantic narrative but also contributes to a broader cultural conversation about agency and empowerment in relationships. Davido and Fave’s collaboration resonates as a profound reflection of changing times, where the fusion of music and culture ignites a revolution of thought, encouraging listeners to embrace their desires with confidence and enthusiasm.

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Mxq

Just an Amateur writer. A 21st century Sociologist, Anthropologist, Poet and a good lover.